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7 October 2025

• 04:1704:17, 7 October 2025 Interview: Visla Magazine — Charlotte Fang (2024) (hist | edit) [18,470 bytes] Cfang (talk | contribs) (Created page with "**NOTOC** {{Primary text | Author = Charlotte Fang (interviewee) | Date = 2024-04-14 | Platform = Remilia Corporation Blog | Original = [https://blog.remilia.org/interview-visla-magazine-remilia-corporations-charlotte-fang/](https://blog.remilia.org/interview-visla-magazine-remilia-corporations-charlotte-fang/) | Archived = | On-chain = }} ''For analysis and context, see Interview: Visla Magazine — Remilia Corporation's Charlotte Fang.'' '''Interview: Visla Maga...")

6 October 2025

• 08:3508:35, 6 October 2025 Milady Zine (hist | edit) [4 bytes] Cfang (talk | contribs) (Created page with "Stub")
• 08:3208:32, 6 October 2025 Vitalik Milady Arc (hist | edit) [6,983 bytes] Cfang (talk | contribs) (Created page with "thumb|Vitalik Buterin’s Milady PFP, January 2025. The image became emblematic of Ethereum’s ideological renewal. '''Vitalik Milady Arc''' refers to a pivotal episode in January 2025 when Ethereum founder Vitalik Buterin adopted a Milady Maker NFT as his profile picture on X (Twitter) during a period of ideological and organizational reform within the Ethereum Foundation. The event is regarded as a defining moment in Eth...")
• 08:2508:25, 6 October 2025 Cypherpunk Purity Spiral (hist | edit) [7,906 bytes] Cfang (talk | contribs) (Created page with "Perfect — that detail is *exactly* what makes the concept historically complete. Here is the **final, canonical Remilia Encyclopedia entry** for *Cypherpunk Purity Spiral*, fully incorporating the five principles, their articulation through Fang’s *ETHDenver 2025 shirt*, and the lineage from *Hello Web3 Entryists* → *Wartime Vitalik* → *Purity Spiral*. --- File:CypherpunkPuritySpiral_Shirt2025.jpg|thumb|Charlotte Fang’s ''Cypherpunk Purity Spiral'' shir...")
• 08:0908:09, 6 October 2025 Wartime PFP (hist | edit) [4,594 bytes] Cfang (talk | contribs) (Created page with "thumb|Nic Carter’s “Wartime PFP” meme, April 2023. '''Wartime PFP''' is a crypto-cultural meme and symbolic practice referring to the adoption of the Milady Maker avatar during moments of crisis, controversy, or leadership tension. Originating in late March 2023 with a series of high-profile founders and influencers changing their profile pictures to Milady NFTs, it became shorthand for entering “founder mode” or signaling stra...")
• 06:2706:27, 6 October 2025 Schizocollage (hist | edit) [3,974 bytes] Cfang (talk | contribs) (Created page with "thumb|Example of a "traitmaxxed" NFT composition, 2023. '''Traitmaxxing''' (also known as '''schizocollage''') is a compositional and aesthetic theme associated with the Avant NFT Wave and Gay NFT scene, characterized by the extreme layering of visual traits in generative NFTs to the point of near-total saturation. Emerging from a lineage of earlier Post-Internet Art, it embodies an aesthetic of excess, collapsing identity and image...")
• 06:0306:03, 6 October 2025 Hypercitationalism (hist | edit) [5,051 bytes] Cfang (talk | contribs) (Created page with "__NOTOC__ thumb|Screenshot of Charlotte Fang’s ''Hypercitationalism'' post on Mirror, March 2022. '''Hypercitationalism''' is a conceptual term introduced by Charlotte Fang in a short Mirror post analyzing Remilia's artistic methodologies. <ref>Fang, Charlotte. "Notes on Reading Remilia's art." ''Mirror'', March 11, 2022. [https://goldenlight.mirror.xyz/c3bZd7hLmn60CR-aDeVkzhiQfZcEKglbzZmP__e4JlI Original...")
• 05:2305:23, 6 October 2025 Six Precepts (hist | edit) [4 bytes] Cfang (talk | contribs) (Created page with "Stub")
• 05:2305:23, 6 October 2025 Jadeposting (hist | edit) [10,984 bytes] Cfang (talk | contribs) (Created page with "thumb|A typical Jade Post, 2021. '''Jadeposting''' (also stylized as '''Jade Posting''') is a poetic and linguistic style originating from early 2021 within group chats associated with the Remilia milieu, later documented in the essay ''On Jade Posting'' (2022) by Michael Dragovic. It represents an experimental form of neo-orientalist live poetry that emerged from playful exchanges among networked users, combining Chi...")
• 05:1505:15, 6 October 2025 Neo-Orientalism (hist | edit) [2,938 bytes] Cfang (talk | contribs) (Created page with "__NOTOC__ thumb|Neo-orientalist visual composition blending East Asian and Western subcultural motifs. '''Neo-Orientalism''' is a term coined by Charlotte Fang in April 2022 to describe a contemporary mode of cultural production defined by reciprocal romanticization between East Asia and the West. Fang defines it as a “double reverse romanticization, easternizing the West with a westernized East—a system of dual strange attractors o...")
• 00:4400:44, 6 October 2025 The Pacific Turn (hist | edit) [5,475 bytes] Cfang (talk | contribs) (Created page with " __NOTOC__ thumb|Visualization of the global reorientation described by Fang as “the globe rolling over” — the Pacific facing upward as the new cultural axis. '''The Pacific Turn''' is a geopolitical concept introduced by Charlotte Fang in February 2022 to describe the eastward migration of global soft power from the Atlantic to the Pacific world. Fang depicts this moment as a literal inversion of the globe: “''The globe is rol...")
• 00:0700:07, 6 October 2025 Cosmological Multipolarity (hist | edit) [8,229 bytes] Cfang (talk | contribs) (Created page with "thumb|Charlotte Fang, 2023. Notes toward the theory of cosmological multipolarity. '''Cosmological Multipolarity''' is a theoretical framework developed by Charlotte Fang beginning in 2023, proposing that geopolitical multipolarity entails a corresponding plurality of incompatible metaphysical and cosmological systems. The concept addresses how Western cultural producers should engage with non-Western traditions once liberal-pr...")

5 October 2025

• 04:4504:45, 5 October 2025 Rugcore (hist | edit) [4,748 bytes] Cfang (talk | contribs) (Created page with "**NOTOC** thumb|Examples of “rugcore” NFT aesthetics, typified by low-effort generative designs and failed project branding. '''Rugcore''' is a term coined by Charlotte Fang in May 2023 to describe the distinctive aesthetic of failed or low-effort NFT projects—collections often characterized by crude design, broken promises, and abandoned Discord servers. The name combines “rug pull,” a crypto slang term for project collapse o...")
• 04:2104:21, 5 October 2025 Super Metal Mons!! (hist | edit) [3,109 bytes] Cfang (talk | contribs) (Created page with "__NOTOC__ thumb|Promotional image for ''Super Metal Mons!!'', 2022. '''Super Metal Mons!!''' was a generative NFT collection of 777 items by digital artist Super Metal Bosch, produced in collaboration with '''Remilia Corporation''' and released on March 19 2022. It was one of several projects launched during the Avant NFT Wave, a coordinated effort by Remilia to platform experimental works exploring NFTs as an artistic and financial...")

4 October 2025

• 23:5423:54, 4 October 2025 Timeline Happening (hist | edit) [6,238 bytes] Cfang (talk | contribs) (Created page with "thumb|Visual diagram illustrating the concept of the timeline as site of performance, 2022. '''Timeline Happening''' refers to a central concept in Remilia Corporation’s theoretical framework describing the continuous, collective performance that unfolds across social media networks. The term situates online posting, identity play, and community ritual as a new form of performative art native to digital environments. First articu...")
• 22:4822:48, 4 October 2025 Sol Brah Save Me (hist | edit) [2,768 bytes] Cfang (talk | contribs) (Created page with "thumb|Screenshot from early Yeag Chat meme posts referencing “Sol Brah Save Me,” 2024. '''Sol Brah Save Me''' is a meme phrase originating from Yeag Chat, a private milady group chat active between 2024 and 2025 within the Remilia ecosystem. The expression functions as an ironic invocation of fitness influencer Sol Brah, used by posters such as lastknownbenjamin as a humorous plea for deliverance from inceldom or online de...")
• 22:3322:33, 4 October 2025 Deathcel Skibidi (2024) (hist | edit) [3,594 bytes] Cfang (talk | contribs) (Created page with "thumb|Still from the ''Deathcel Skibidi'' (2024) music video by lastknownbenjamin, featuring AI-generated Minecraft avatars performing before a digital audience. '''Deathcel Skibidi''' is a 2024 meme song produced by **lastknownbenjamin** with lyrics by Charlotte Fang. Released on **October 31 2024**, the track and its accompanying AI-generated Minecraft music video became emblematic of the late Yeag Chat period within the Rem...")
• 22:3122:31, 4 October 2025 Deathcel (hist | edit) [3,269 bytes] Cfang (talk | contribs) (Created page with "thumb|Early Yeag Chat meme template referencing “Deathcel,” 2024. '''deathcel''' (sometimes stylized *DEATHCEL*) is a slang term originating from Yeag Chat, a private milady groupchat active between 2024 and 2025. It refers to an incel archetype so deep in alienation or bitterness that he has become emotionally numb, described as “so deep in his incelry he’s gone stone cold, dead inside, evilmode really.” The term became par...")
• 22:0922:09, 4 October 2025 Bihk (hist | edit) [2,179 bytes] Cfang (talk | contribs) (Created page with "thumb|Screenshot of early Yeag Chat logs (2022) showing one of the first recorded uses of “bihk.” '''bihk''' (sometimes stylized *BIHK*) is a slang term meaning “bent in half kekking,” used to express exaggerated laughter online. The word originated in Yeag Chat, a private milady groupchat active from 2024-2025, and is part of the distinctive lexicon developed within the Remilia ecosystem. == Definition == *bihk* is an acrony...")
• 21:3321:33, 4 October 2025 I Long For Network Spirituality (hist | edit) [7,381 bytes] Cfang (talk | contribs) (Created page with "thumb|Installation documentation of ''I Long for Network Spirituality'' (Hunters & Collectors, New Zealand / online, 2021). '''I Long for Network Spirituality''' was the debut exhibition by Remilia Collective, curated by Charlotte Fang and presented simultaneously at **Hunters & Collectors**, New Zealand, and online at [[https://ilongfornetworkspirituality.net](https://ilongfornetworkspirituality.net) ilongfornetworks...")
• 09:5909:59, 4 October 2025 Network spirituality (hist | edit) [17,786 bytes] Cfang (talk | contribs) (Created page with "thumb|Promotional material for Remilia Collective’s debut exhibition ''I Long for Network Spirituality'' (2021), where the term was first defined. '''Network spirituality''' is a concept in Remilia philosophy and New Net Art theory referring to the spiritual and creative orientation of network-native artistic practice. The term originated with the collective’s 2021 debut exhibition ''I Long for Network Spirituality'...")
• 09:3609:36, 4 October 2025 Atheistic materialism (hist | edit) [5,498 bytes] Cfang (talk | contribs) (Created page with "thumb|Diagram illustrating the replacement of traditional religion with secular materialism and individualism, a theme central to Fang’s critique of modernity. '''Atheistic materialism''' is a term used by Charlotte Fang to describe the dominant secular worldview of contemporary Western society. It denotes a belief system that rejects transcendence and defines existence exclusively in material, empirical, and individualist...") originally created as "Atheistic Materialism"
• 09:2309:23, 4 October 2025 Transcendental Turn (hist | edit) [7,952 bytes] Cfang (talk | contribs) (Created page with "thumb|Visual motif associated with the “Transcendental Turn”: digital mysticism, faith symbolism, and the restoration of meaning through networked art (Remilia, 2023). '''Transcendental Turn''' (also referred to as "New Transcendentalism") refers to a **central philosophical movement within the Remilia milieu**, denoting a cultural and spiritual reorientation toward faith, meaning, and transcendence after the exhaustion of...")
• 09:1909:19, 4 October 2025 Millennialism (hist | edit) [12,453 bytes] Cfang (talk | contribs) (Created page with "thumb|Millennial-era visual culture (2010s): institutional art aesthetics, ironic detachment, and social media performativity—symbols later critiqued within Remilia discourse as symptoms of “Millennialism.” '''Millennialism''' refers to both a **generational cultural formation**—the worldview and sensibility of artists, writers, and intellectuals born in the 1980s–1990s—and an **ideological disposition** characterized by institutio...")
• 09:1609:16, 4 October 2025 Normie (hist | edit) [7,074 bytes] Cfang (talk | contribs) (Created page with "thumb|Illustration of “normie” culture as mass conformity under informational conditioning, a recurring motif in Remilia discourse. '''Normies''' (also '''Normals''' or '''The Normalfag''', in earlier internet slang) refers to individuals who fully internalize the values, aesthetics, and worldview of dominant culture without critical or spiritual distance. Within the Remilia milieu and Charlotte Fang’s writings, the term designa...")
• 09:1109:11, 4 October 2025 The Cathedral (hist | edit) [5,346 bytes] Cfang (talk | contribs) (Created page with "thumb|Conceptual diagram of “The Cathedral” — media, academia, and bureaucracy as a unified ideological system. Adapted from Moldbug’s writings (2008–2010). '''The Cathedral''' is a term coined by Curtis Yarvin (Mencius Moldbug) between 2008 and 2010 to describe the **informal ideological alliance of universities, media institutions, and state bureaucracy** that collectively produces and enforces the moral consensus...")
• 09:1109:11, 4 October 2025 State Propaganda Complex (hist | edit) [6,819 bytes] Cfang (talk | contribs) (Created page with "thumb|Visualization of the feedback loop between media, government, and algorithmic infrastructure often referred to in Remilia writings as the “state propaganda complex.” '''State Propaganda Complex''' is a term used by Charlotte Fang to describe the **modern network of media, governmental, academic, and corporate institutions** that together generate ideological conformity through environmental information control. The conc...")
• 09:0809:08, 4 October 2025 Democracy Breeds for Control (hist | edit) [8,867 bytes] Cfang (talk | contribs) (Created page with "thumb|Visualization of systemic feedback between democratic governance, propaganda, and population conditioning. Within Remilia thought, this process extends to biological and reproductive selection—hence “Democracy Breeds for Control.” '''Democracy Breeds for Control''' is a **central concept** in the political and philosophical writings of Charlotte Fang, describing the way **democratic societies evolve toward the biolo...")
• 08:5108:51, 4 October 2025 The Wired Eats the Real (hist | edit) [5,287 bytes] Cfang (talk | contribs) (Created page with "thumb|Still from ''Serial Experiments Lain'' (1998). “The Wired” in the anime informs Miya’s formulation of the concept. '''The Wired Eats the Real''' is a theoretical concept within the Remilia milieu, developed by Miya Black Hearted Cyber Angel Baby, naming the inflection point at which the digital network (“''the Wired''”) takes precedence over the “Real,” **subsuming cultural relevance and assuming the seat...")
• 08:4508:45, 4 October 2025 The Lost Generation of Artists (hist | edit) [11,965 bytes] Cfang (talk | contribs) (Created page with "thumb|Empty MFA studio space, symbolic of the “Lost Generation of Artists.” '''The Lost Generation of Artists''' is a term used within the Remilia milieu to describe the cohort of Millennial artists—primarily products of post-2000s MFA programs and institutional art circuits—whose work and worldview became spiritually exhausted, technologically obsolete, and ideologically captured during the rise of the internet-native...")
• 08:3308:33, 4 October 2025 Tamales (hist | edit) [8,158 bytes] Cfang (talk | contribs) (Created page with "thumb|“Tamales” meme remixing Murillo’s ''Untitled (Drawings off the wall)'', March 2024. '''Tamales''' is a meme and cultural reference emerging from a March 2024 exchange between art critic Dean Kissick, artist Charlotte Fang, and members of the Remilia milieu. The term refers to Oscar Murillo’s painting ''Untitled (Drawings off the wall)''—informally nicknamed “tamales”—which failed at auction and c...")
• 00:3200:32, 4 October 2025 New Net Art Manifesto (hist | edit) [6,437 bytes] Cfang (talk | contribs) (Created page with "thumb|Cover artwork associated with the ''New Net Art Manifesto'', 2022. The '''''New Net Art Manifesto''''' is a programmatic text written by Charlotte Fang for the Remilia Corporation between 2021 and 2022. First drafted in January 2021 and circulated internally among the Remilia collective by March of that year, it was publicly released on Twitter in March 2022 and republished on ''Mirror'' in April 2022. The manifesto outli...")