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4 October 2025
- 09:1109:11, 4 October 2025 State Propaganda Complex (hist | edit) [6,819 bytes] Cfang (talk | contribs) (Created page with "thumb|Visualization of the feedback loop between media, government, and algorithmic infrastructure often referred to in Remilia writings as the “state propaganda complex.” '''State Propaganda Complex''' is a term used by Charlotte Fang to describe the **modern network of media, governmental, academic, and corporate institutions** that together generate ideological conformity through environmental information control. The conc...")
- 09:0809:08, 4 October 2025 Democracy Breeds for Control (hist | edit) [8,867 bytes] Cfang (talk | contribs) (Created page with "thumb|Visualization of systemic feedback between democratic governance, propaganda, and population conditioning. Within Remilia thought, this process extends to biological and reproductive selection—hence “Democracy Breeds for Control.” '''Democracy Breeds for Control''' is a **central concept** in the political and philosophical writings of Charlotte Fang, describing the way **democratic societies evolve toward the biolo...")
- 08:5108:51, 4 October 2025 The Wired Eats the Real (hist | edit) [5,287 bytes] Cfang (talk | contribs) (Created page with "thumb|Still from ''Serial Experiments Lain'' (1998). “The Wired” in the anime informs Miya’s formulation of the concept. '''The Wired Eats the Real''' is a theoretical concept within the Remilia milieu, developed by Miya Black Hearted Cyber Angel Baby, naming the inflection point at which the digital network (“''the Wired''”) takes precedence over the “Real,” **subsuming cultural relevance and assuming the seat...")
- 08:4508:45, 4 October 2025 The Lost Generation of Artists (hist | edit) [11,965 bytes] Cfang (talk | contribs) (Created page with "thumb|Empty MFA studio space, symbolic of the “Lost Generation of Artists.” '''The Lost Generation of Artists''' is a term used within the Remilia milieu to describe the cohort of Millennial artists—primarily products of post-2000s MFA programs and institutional art circuits—whose work and worldview became spiritually exhausted, technologically obsolete, and ideologically captured during the rise of the internet-native...")
- 08:3308:33, 4 October 2025 Tamales (hist | edit) [8,158 bytes] Cfang (talk | contribs) (Created page with "thumb|“Tamales” meme remixing Murillo’s ''Untitled (Drawings off the wall)'', March 2024. '''Tamales''' is a meme and cultural reference emerging from a March 2024 exchange between art critic Dean Kissick, artist Charlotte Fang, and members of the Remilia milieu. The term refers to Oscar Murillo’s painting ''Untitled (Drawings off the wall)''—informally nicknamed “tamales”—which failed at auction and c...")
- 00:3200:32, 4 October 2025 New Net Art Manifesto (hist | edit) [6,437 bytes] Cfang (talk | contribs) (Created page with "thumb|Cover artwork associated with the ''New Net Art Manifesto'', 2022. The '''''New Net Art Manifesto''''' is a programmatic text written by Charlotte Fang for the Remilia Corporation between 2021 and 2022. First drafted in January 2021 and circulated internally among the Remilia collective by March of that year, it was publicly released on Twitter in March 2022 and republished on ''Mirror'' in April 2022. The manifesto outli...")
